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To Live's to Fly: The Ballad of the Late, Great Townes Van Zandt, by John Kruth
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At last, the authorized biography of Townes Van Zandt (1944-1997), who wrote such unforgettable songs as “Pancho & Lefty” and “If I Needed You.” Born to a wealthy oil family in Ft. Worth, Texas, hounded by alcoholism and depression, Van Zandt pursued a nomadic existence following his muse, whatever the cost to himself, friends, and relatives. Based on exclusive interviews with those close to Van Zandt, including his best friend Guy Clark and colleagues like Steve Earle and John Prine, To Live’s to Fly captures all the humor, hijinks, poetry, and heartbreak of this revered, genuinely outlaw country artist.
- Sales Rank: #1173988 in Books
- Brand: Kruth, John
- Published on: 2008-03-04
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.50" w x 1.00" l, .77 pounds
- Binding: Paperback
- 360 pages
From Publishers Weekly
Finally, the first official biography of singer-songwriter Townes Van Zandt (1944-1997) arrives; unfortunately, the life story of this troubled Texas troubadour is nearly as grueling to read as it was for Van Zandt to live. Kruth (Bright Moments: The Life and Legacy of Rahsaan Roland Kirk) deserves credit for interviewing scores of family members, friends and associates, but his efforts are diminished by oddly alternating first- and third-person narratives, awkward transitions and text cluttered with excessive quotes. In addition, many anecdotes and quotes from Van Zandt lack attribution. That said, Kruth (a veteran musician himself) shines when providing perspective on the evolving American folk scene and in dissecting numerous albums (some issued after Van Zandt's New Year's Day death at age 52). To be sure, Van Zandt's outrageous penchant for gambling, alcohol and women, not to mention his irresponsible career management, make him a less-than-sympathetic character; more insight into why-rather than countless tales of how-would have made this bio a more worthwhile read.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Not unlike fellow alt-country inspiration Gram Parsons, Townes Van Zandt was born rich yet became an iconic country singer and countercultural hero. Discovering Leadbelly, Mance Lipscomb, and Lightnin' Hopkins at an early age, he was an ardent "Elvis fan and a good Elvis mimic" to boot. Recognized reasonably widely as "a living legend, albeit more often than not an unknown one," he got fellow alt-country icon Steve Earle's nod as "the best songwriter in the world," which sentiment Earle said he'd "stand on Bob Dylan's coffee table and say." Van Zandt famously replied, "I've met Bob Dylan's bodyguards and if Steve Earle thinks he can stand on Bob Dylan's coffee table, he's sadly mistaken." Self-deprecating, wistful, haunted by a rasher of demons, Van Zandt died young, leaving behind such songs as Willie Nelson's hit "Pancho & Lefty" and influencing many younger performers. Kruth's enthusiasm for Van Zandt is obvious throughout his detail-laden yet very readable book, which well might revive Van Zandt's memory. Mike Tribby
Copyright � American Library Association. All rights reserved
Review
"Townes Van Zandt is the best songwriter in the whole world and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that." -- Steve Earle
"I think of Townes as the greatest folk song writer that my native state of Texas ever gave birth to. Some of us songwriters are just lyricists, but he was definitely a poet." -- Nanci Griffith
"A fervent tribute to a true legend of American songwriting. John Kruth has tracked the back story of Townes Van Zandt like a manic bloodhound without spoiling the mystery of the man." -- Sam Shepard
Most helpful customer reviews
11 of 11 people found the following review helpful.
A bumpy ride, but worth the fare.
By D. V. Beck
Hang in there with this one. Kruth gets off to a shaky start, with one early chapter consisting entirely of an account of a drunken Guy Clark essentially telling the author to go to hell. But the narrative acquires power and tragic beauty as one of the most talented songwriters of all time slowly destroys himself with alcohol and drugs. The end of Van Zandt's life will look all too familiar to anyone who's ever watched an alcoholic ride the disease to the end of the line - the sheer horror of reaching the point where he can't continue to drink, and can't quit drinking, either. If you haven't already done so, you may want to steep yourself in Van Zandt's music before you read To Live's to Fly. Besides being required for anyone who gives a damn about the art of songwriting, I'm pretty sure this is a prerequisite to sticking out this tale to the bitter end.
18 of 22 people found the following review helpful.
A lackluster effort based on even less research
By Folk Music Fan
The excitment I had when I got my hands on a copy of the new TVZ book matched the disappointment I suffered as I read through it. I did read the entire book - in part out of dumb dedication to my favorite songwriters & in part hoping that the book would improve. This book doesn't flow; it is a collage of events & quotes loosely organized by topic. Many of the quotes are identical to those printed in the 1970's issue limited edition songbook with this book failing to give credit to the primary source (perhaps appropriately so, but I have my doubts). The author's interpretations of certain songs are questionable in most cases and dead wrong in one specific case. Perhaps due to the author's clearly northwestern attitude towards Texas music or maybe because of his awkward writing style, several people of great significance in TVZ's life refused to provide interviews for this book. It is extremely telling that Susanna Clark refused as she was his best friend & closest confidant who knew him better than any of us. Though it is hard to recommend this book, it does aggregate a lot of quotes and anecdotes about Townes life in one place and that is helpful. The mediocre quality of writing, lack of primary research, and typical New York attitude do the memory of Townes a great disservice.
13 of 16 people found the following review helpful.
I don't know where to start....
By T. Brenholts
I wrote this out of a sense of duty to fans of music and readers of biographies. If you are a fan of Townes VanZandt, or if you like to read good writing, go put on an album, and read something other than this mess. Although I enjoy VanZandt's music I knew little of his life other than he was an alcoholic, so I was delighted to finally see a "biography"; what this is is a collection of anecdotes hung on the names of people who knew VanZandt. As a previous reviewer wrote, chronology is a joke, Guy Clark is given short shrift (the chapter on the author's meeting with Clark is jarringly incongruous to the rest of the text and may give insight into why this is so; they seem to have not hit it off well), and insight and understanding are nowhere in sight. It's got nothing to do with "New York attitude" or "Yankee journalist"; it's about lousy writing. This is a stinker, to be avoided. "Barely coherent as a writer" (says reviewer W.E. Black, who is spot on in his review); exactly so. This is the most poorly written biography I've ever read. One star because the subject is Townes VanZandt. Otherwise unreadable.
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