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Hemingway: A Biography, by Jeffrey Meyers
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Distinguished by its precision, its graceful use of language, and its resonant depth, the innovative style of Nobel Prize-winning author Ernest Hemingway (1899-1961) radically altered literary conventions and influenced generations of writers. In The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, The Old Man and the Sea, and numerous short stories, he explored such universal themes as stoicism in adversity, as well as our futile struggles against nature and mortality.This evocative, sympathetic biography illuminates the events that informed Hemingway's vigorous life: an accident-prone youth and early rivalry with his father; his experiences in World War I, the Spanish Civil War, and World War II; his stormy relationships with writers and women; his sudden fame, slow decline, and suicide. Based on previously unavailable information and exclusive interviews, Hemingway enriches anyone's understanding and appreciation of America's most important twentieth-century writer.
- Sales Rank: #101454 in Books
- Brand: Meyers, Jeffrey
- Published on: 1999-05-07
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.69" w x 5.00" l, 1.58 pounds
- Binding: Paperback
- 734 pages
From Publishers Weekly
There was a cartoon famous some 35 years ago that depicted an editor returning a manuscript to a crestfallen author: "But you have a wonderful style; Hemingway's, isn't it?" In this critical bigraphy, Meyers, a professor at the University of Colorado and author of some 20 books, charts the life of the man who created that "wonderful," innovative style imitated by so many over the decades. It was virtually a new language, seemingly simplistic but carefully forged and intensely suggestive. Hemingway himself was flamboyant and hugely personable, and, in his prime, had the good looks of a movie star. The understated tone of his writing was identified with his image and an attitude toward life and loss that he seemed to exemplify. It is amazing that this Midwesterner, with only a high-school education, should, in his mid-20s, have been crony of the likes of Joyce, Pound and Gertrude Stein, as well as other literary notables who colored expatriate Paris after the Great War. Hemingway became not only the best known of the lot, but quite simply one of the most famous people in the world. He assiduously courted that fame and it was among the things that eventually undid him. Among the telling details in the life of this man, who created himself as the personification of maleness, is that his mother dressed him as twin to his sister until he was three. By five he was a "soldser" who, when asked what he was afraid of, would shout, " 'fraid of nothin." Norman Mailer, whom Meyers terms "the hip pocket Hemingway of our time," wrote sympathetically that Hemingway's life had been heroic, that he had struggled with cowardice always and that "his inner landscape was a nightmare. . . . It is possible that he carried a weight of anxiety with him that would have suffocated any man smaller than himself." Meyers's biography in no way replaces Carlos Baker's massive 1969 achievement, Ernest Hemingway: A Life Story, but it is marvelously rich in new, revealing anecdote and it deservedly stands beside Baker's as a saltier and less discreet companion volume. Photos not seen by PW. 20,000 first printing. October 23
Copyright 1985 Reed Business Information, Inc.
From Library Journal
Hemingway always insisted that he had the obligation to withhold his work from public view till it satisfied his stan dards. In a slender volume that traces Hemingway from boyhood through World War I and his first marriage, Griffin ignores those standards, print ing for the first time five inept, occa sionally silly pieces of post-adolescent fiction, only one of which (``Cross roads: an anthology'') even hints at Hemingway's mature genius. Griffin's other contribution is biographical. He establishes that Hemingway indeed had affairs with his wartime nurse, Agnes; and, while engaged to his first wife, with their mutual friend, Katy Smith. Otherwise, Griffin adds little of critical, interpretative, or biographical merit and does so without stylistic grace. Meyers's style is also pedestrian, but more serviceable. What he lacks in grace he makes up for with scrupulous honesty. Where Carlos Baker withheld information or veiled its implications, Meyers details fully. The portrait is not flattering but it is always believable and often pitiable. ``A man is essentially what he hides,'' Meyers writes, arguing that beneath the mask resided a ``re flective man of innate sensitivity.'' Many will agree; at its best, Heming way's prose supports that view. To prove his thesis, Meyers proceeds chronologically, interpolating special analyses ranging from literary battles to influences; from ethnic and sexual prej udices to religious beliefs; from paren tal relationships to the complex in volvement with wives and mistresses. Occasionally, Meyers enthralls, as when he records the FBI's ``pursuit'' of Hemingway. Too often, however, we learn too little that is new or insightful. Within its limits, Meyers's bulky vol ume nevertheless deserves attention and respect. Arthur Waldhorn, En glish Dept., City Coll., CUNY
Copyright 1985 Reed Business Information, Inc.
About the Author
Jeffrey Meyers
Most helpful customer reviews
96 of 99 people found the following review helpful.
Close To Definitive
By timelesshemingway.com
Carlos Baker is generally known as the founding father of Hemingway biographical studies. His 1969 biography, "Ernest Hemingway: A Life Story" is the so-called "authorized" Hemingway bio and it was the first book of its kind to explore the author's life. All subsequent biographers owe a great deal to Baker and the seven years he spent producing "Ernest Hemingway: A Life Story."
Calling Baker's bio the definitive bio of Ernest Hemingway is difficult though for several reasons. First of all, being published in 1969, the book is now outdated to a great degree. Second of all, a slew of other biographies have been published since 1969 and some are very formidable. Baker's book, in my humble opinion, is probably the most tediously researched biography of Hemingway. His "Notes" section is just over 100 pages.
If I had to recommend one standard Hemingway biography, I would likely choose "Hemingway: A Biography" by Jeffrey Meyers. I have read many Hemingway biographies and in comparing them, the work of Meyers does stand out. He offers details not present in other bios and provides fine commentary on EH's literature. Meyers gets as close to definitive as I think one can come in a single book.
14 of 14 people found the following review helpful.
The most interesting man in the world
By T. Graczewski
The Mexican beer, Dos Equis, has reportedly experienced over 20% growth since launching their hilarious marketing campaign featuring a mature, bearded man who "is often questioned by police just because they find him interesting" and who's "blood smells like cologne."
The inspiration for this contemporary advertising marvel is clearly Ernest Hemingway (who incidentally later in his life endorsed Ballatine Beer in the US). And Jeffrey Meyers' marvelous biography of the writer generally confirms that heroic, manly caricature; a hulking, hirsute stud who perspired pure testosterone while running with the bulls, boxing with local toughs, reeling in half-ton marlins in the Gulf stream, hunting lions and elephants in Africa, fighting the fascists in Spain and France/Germany, and bedding an endless string of beautiful women, who were dangerously mature when he was a young man and dangerously young when he was in his twilight years. (Here is a Hemingway quote, which may be my very favorite: "I [fornicated with] every woman I wanted to [fornicate with] and many I didn't, and would like think I [fornicated them] well.") He is, for sure, a model of envy and emulation for any red blooded but morally ambiguous young man.
There was so much about this book that I loved. Here are three simple endorsements.
First, Meyers' presents a complete and unadorned portrait of the master. In no way is Hemingway idolatrized, nor is he necessarily vilified. He was larger-than-life, largely because that is the life image he created for himself. He could be fun and self-effacing, the boisterous but interesting man toward whom the floor seemed to tilt during a cocktail party. But more often than not, especially with family, he could be a boorish, drunken liar, far from the congenial womanizer portrayed in the idealized Dos Equis commercials.
Second, Meyers does an admirable job of explaining how Hemingway's personal life influenced his fiction. Every character model from his novels and short stories is completely and convincingly explained. Indeed, I would say that this biography is required reading for a deeper, richer appreciation of all of Hemingway's writing.
Finally, Meyer writes with a certain clarity and simplicity that evokes the subject's influence on American literature. This biography is a real joy to read and easy to digest, just like so many of Hemingway's greatest works. It is recommended without hesitation to anyone.
22 of 24 people found the following review helpful.
"You'd better give me that other drink."
By Konrei
Jeffrey Meyers' eponymous biography of Ernest Hemingway is, as some have made it, a saltier companion to Carlos Baker's masterful 1969 definitive authorized biography. Meyers is not overly adoring of his subject and gives us a different view of Hemingway. Still, although Meyers is grittier than Baker and manages to dig deeper into Hemingway's complex and contradictory personality, he is not gritty enough nor does he dig deep enough to displace Baker as the biographer nonpareil.
And neither does he capture the reader's imagination. HEMINGWAY: A BIOGRAPHY presents Ernest Hemingway in surprisingly muted tones, especially considering the almost cartoonish excesses to which Hemingway could drive himself. This is a very competent and workmanlike biography. However, its pacing and voice are didactic and dry and its portrait of the artist lacks color. Like twenty other books about the man, HEMINGWAY: A BIOGRAPHY belongs on the shelf as part of a well-rounded collection, but can replace none of them.
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